June Henry / I’ve Never Been Here Before / Pity Invite / Little Baby Tendencies [Small Room-Downstairs]
Moony / Silvie / Sack Lunch [Small Room-Downstairs]
Raw, vulnerable, and often unhinged, Nashville-based Seth Findley (AKA moony) wastes no time getting to the heart of the matter with his music and coinciding world-building. Songwriter, producer, and multi-instrumentalist blurring the line between genres showcasing a sonic landscape of edgy alt-rock, mellow indie, catchy pop, and a touch of punk, moony can be fully experienced via his eclectic catalog, engaging live performances, & progressive visuals. Spotify: https://open.spotify.com/artist/3agqtDm9DE1tKj7sXrKqpZ?si=xQ-5me2HQEWcAnCDPPE9rQ Instagram: https://www.instagram.com/sethismoony YouTube: https://www.youtube.com/channel/UCDcnaBDAj-CmrF5XtIZsVlw TikTok: https://www.tiktok.com/@sethismoony Silvie is the indie-pop project of McKenna Brown, who has collaborated with the likes of The Greeting Committee, Olivia Barton, and has made a splash in her home-market of Nashville, selling out her debut headline at The End. Silvie is currently rolling out the next batch of singles, following up from her acclaimed debut, Eleven Twenty Eight. Live.
Entrail Asphyxiation / Skinwraith / Grave Lurker / Heavy Machine Gun [Small Room-Downstairs]
Fading Melodies / Soul Solution 696 [Small Room-Downstairs]
The Arcadian Wild / River & Rail [Small Room-Downstairs]
The Arcadian Wild is a four-piece indie folk/pop group from Nashville, TN. Led by songwriters Isaac Horn and Lincoln Mick and Bailey Warren on fiddle, The Arcadian Wild confidently inhabits and explores an intersection of genre, blending the traditional with the contemporary. Combining elements of progressive bluegrass, folk, and formal vocal music, The Arcadian Wild offer up songs of invitation; calls to come and see, to find refuge and rest, to journey and wonder, to laugh and cry, to share joy and community and sing along. The band’s 2023 album Welcome marks the start of a captivating new chapter for the genre-bending trio, who returned to the studio with renewed purpose and insight after devoting the last few years to a series of critically acclaimed singles and EPs. Like much of the band’s catalog, the album blurs the lines between chamber folk and progressive bluegrass, drawing on everything from country and classical to pop and choral music with lush harmonies and dazzling fretwork, but this time around there’s a rawness to the writing, an embrace of candor and simplicity that cuts straight to the heart of things like never before. The result is perhaps the most arresting collection yet from a band known for its ability to stop listeners dead in their tracks, an exquisitely beautiful celebration of community, connection, and the power of belonging that feels tailor-made for these challenging times.