Pentagram String Band & more [Small Room-Downstairs]
Bodega / Super City / Trash Goblin [Small Room-Downstairs]
The follow-up to the band’s acclaimed debut album, Endless Scroll (2018), and 2019’s Shiny New Model EP, Broken Equipment was inspired by a book club. In the early months of 2020, the Brooklyn art-punk incendiaries gathered together with close friends to study the works of a wide range of philosophers. Passionate debates lasting long into the night became a regular occurrence, motivating the band to become as ideologically unified as the weighty tomes they were reading. Broken Equipment is BODEGA’s attempt to interrogate the external factors that make them who they are, propelling existential quandaries with tongue-in-cheek humour, highly personal lyrics, and irresistible grooves.Since BODEGA’s formation in 2016, Ben and Nikki (who previously played together in the band BODEGA BAY) have experienced a rare meteoric rise. The duo double as filmmakers, earning acclaim for their 2020 erotic drama PVT Chat starring Peter Vack, Julia Fox, and other recognizable faces from the Safdie Brothers’ cinematic universe. When the pandemic forced them to hit pause, they used the opportunity to regroup with drummer/performance artist Tai Lee, bassist/philosophy professor Adam See, and lead guitarist Dan Ryan. Broken Equipment was produced by Ben himself with Bobby Lewis, BODEGA’s NYC live sound mixer. The record was mixed by Bryce Goggin, whom the band sought out for his work with Pavement, and Adam Sachs (WIVES).The album’s 12 songs are set in present day New York City, packing in references to contemporary issues of algorithmic targeting, media gentrification, and the band itself. On ‘NYC (disambiguation)’, they break down how the Big Apple was “founded by a corporation” and history remains alive in the present. The poetic ‘Pillar on the Bridge of You’ is the first love song Ben ever wrote for Nikki, while ‘All Past Lovers’ gazes back to the “southern belle” and “chat room suitor” who still live inside him today.To accompany the propulsive pace of ‘Statuette on the Console’ and its lyrics about switching perspectives, Nikki recorded alternate versions in eight different languages. “I used God in that song as this arch overlord character, but it could also be a real estate developer,” she explains. “It’s about anyone who puts their reality on your back and forces you to carry it around.” In that song, Nikki also wryly states that although she doesn’t have faith in this particular “God,” she is still “living life with (my) platitudes.” On ‘Territorial Call of the Female’, Nikki playfully quips that “when the man is around that’s when I’m putting you down,” highlighting how in the past she unknowingly reinforced patriarchal values by turning against other women to attract men. It’s moments like these where BODEGA most exemplifies their self-professed motto that “the best critique is self critique.”
Open Mic Night [Big Room-Upstairs]
FrazierBand / Charlie Argo [Small Room-Downstairs]
The Kickback [Big Room-Upstairs]
The quarterly tribute to classic hip-hip , R&B , funk and go-go from the 80’s and 90’s is back to wrap up summer ! Hosted by Devin Steel , Hou hefner , Chris Mcneil and Big Sue’s 4 turntable and 7 piece live band mashup guaranteed to make you dance all night …new merchandise will be available
Goodwin Rainer / Surfwax / The Ellie Badge [Small Room-Downstairs]
Bing & Ruth / Robert Traxler / window [Small Room-Downstairs]
In 2006, David Moore started Bing & Ruth as a way to bring his compositions to an audience beyond academia. A pianist from Kansas, studying at the New School for Jazz and Contemporary Music in New York’s Greenwich Village, Moore was writing the sort of music he wanted to hear: minimalist ensemble music with a certain filmic sensitivity, one that prioritized grace and texture over the style’s once-radical subtraction. Following the seasoned history of minimalist heroes at the New School like John Cage and Steve Reich—both of whom taught at the institution throughout the 1950s and ‘60s—Moore’s compositions looked past the studied repetition of the style’s most prominent forerunners towards a form built on feeling, a mobilization of time-honored shapes, now angled outward towards a greater totalizing sublime. The piece’s mark the culmination of Moore’s piano studies, pairing tender lines that emphasize the instrument’s more percussive qualities with running woodwinds, warbling tape delays, and splattered upright bass lines that stare out with a wide-eyed transcendence.
Autolith / Chora / Slumdog / Godbody Jones / Ten Crowns / Korroded [Big Room-Upstairs]
Bands:AutolithSlumdogGODBODYJONESTen CrownsKorrodedVendors:Beyond Fate ToysRelic OdditiesImpending MutilationSerpent EternalWise Grinds RecordsSlowdown Dry GoodsJasmine Hirt Illustrations Doors at 6Music starts at 7:30
Mint Cream Market [Big Room-Upstairs]
No cover. Lots of vendors selling arts, crafts and more!
