Hi Tone Logo


Hi Tone Logo

282-284 N Cleveland St
Memphis, TN 38104


American Aquarium w/ Cory Branan [Big Room-Upstairs]

Sunday, December 11
Doors: 7pm  //  Show: 8pm
$20 to $100

VIP Tickets include:
One general admission ticket to see American Aquarium live, VIP early entry into the venue, Exclusive meet & greet and personal photograph with American Aquarium, Access to a private pre-show soundcheck performance by American Aquarium, Q&A session with American Aquarium, One tour poster, autographed by American Aquarium, Commemorative meet & greet laminate, Merchandise shopping opportunity before doors open to public.

Anywhere off Hatteras Island, Chicamacomico sounds made up, like some wine-
drunk incantation or maybe a tongue twister—try to say it ten times fast. But as a former 
life-saving station built in 1874 on the Outer Banks of North Carolina, the name is 
perhaps the perfect metaphor and title for American Aquarium’s ninth studio album. 
The Old North State is tattooed on the bones of front man BJ Barham, who has 
never lived more than two hours from his hometown in Reidsville. But, more so, what 
better to represent an album about loss than a place built to save the lives of shipwrecked 
mariners and passengers? Song as a sort of salvation is something Barham hopes this 
album can do for the band’s established and growing fanbase. Sometimes when we’re 
drowning, music keeps us afloat.
“When these massive life changes happen, we feel like we are the only ones 
facing these problems,” Barham said. “I hope this album serves as a salve to anyone who
has experienced this sort of loss over the last few years. I hope it makes them feel a little 
less isolated and disconnected. I want them to know that someone out there is going 
through the exact same shit and that they are not alone.”
With tracks tackling personal loss—the loss of his mother and grandmother, the 
loss of a child, the loss of youth and time and the creative spark that drives him—
Chicamacomico feels stripped down and bare-boned in its instrumentation compared to 
earlier records. The orchestration is dialed back leaving the lyrics to stand naked front 
and center. It’s reminiscent of Rockingham, Barham’s 2016 solo album, and this may be 
in part a result of producer Brad Cook, who produced both albums as well as the band’s 
2015 record Wolves. But it’s likely more a sign of the maturing sound and expanding 
scope of a songwriter now fully comfortable and confident in his own skin.
“When you are young, you want to play everything loud and fast and I think that 
comes, at least in part, from uncertainty. I hadn’t fully found my voice back in those early 
days so the louder and faster the songs were the less chance someone could actually hear 
what I was saying. I’m not afraid of the lyrics sitting way out front anymore because I am 
confident in the songwriting. The band can still cut loose and take over a song, but they 
aren’t expected to do all the heavy lifting these days.”
Few songwriters swing the hammer as hard and precise as Barham and it is a 
testament to the humility and trust of his bandmates that they take the back seat and allow 
his storytelling to drive us home. With a heavy tour the rest of the year and a backlist of 
brass-knuckled bangers, each will surely have their fair share of time at the wheel.
But as for this record, be thankful for the subtlety, for the stillness and for the 
quiet. For ten songs, Chicamacomico will hold your head above water.D